Раздел "Чтение" в ЕГЭ по английскому языку
В соответствии со Спецификацией контрольных измерительных материалов для проведения в 2015 году единого государственного экзамена по ИНОСТРАННЫМ ЯЗЫКАМ подготовленной Федеральным государственным бюджетным научным учреждением «ФЕДЕРАЛЬНЫЙ ИНСТИТУТ ПЕДАГОГИЧЕСКИХ ИЗМЕРЕНИЙ» и опубликованной на сайте fipi.ru, в разделе "Чтение" проверяется сформированность умений понимания как основного содержания письменных текстов, так и полного понимания соответствующих текстов. Кроме того, в чтении проверяется понимание структурно-смысловых связей в тексте.
В разделе «Чтение» представлены задания, относящиеся к трем разным уровням сложности. Раздел 2 («Чтение») содержит 9 заданий. Рекомендуемое время на выполнение заданий раздела 2 составляет 30 минут.
Жанрово-стилистическая принадлежность текстов, используемых в разделе «Чтение»: публицистические, художественные, научно-популярные и прагматические тексты.
Требования к отбору текстов
Тексты, используемые для заданий всех разделов, должны отвечать следующим требованиям:
- выбранный отрывок должен характеризоваться законченностью, внешней связностью и внутренней осмысленностью;
- содержание должно учитывать возрастные особенности выпускника, не должно выходить за рамки коммуникативного, читательского и жизненного опыта экзаменуемого;
- текст должен соответствовать жанру, указанному в описании задания;
- содержание не должно дискриминировать экзаменуемых по религиозному, национальному и другим признакам;
- текст не должен быть перегружен информативными элементами: терминами, именами собственными, цифровыми данными;
- языковая сложность текста должна соответствовать заявленному уровню сложности задания (базовый, повышенный, высокий).
В соответствии с Кодификатором элементов содержания и требований к уровню подготовки выпускников образовательных организаций для проведения единого государственного экзамена по АНГЛИЙСКОМУ ЯЗЫКУ, в Перечень элементов содержания, проверяемых на едином государственном экзамене по английскому языку, раздел "Чтение", входит:
Чтение
2.1 Понимание основного содержания сообщений, несложныхпубликаций научно-познавательного характера, отрывков из
произведений художественной литературы
2.2 Полное и точное понимание информации прагматических
текстов, публикаций научно-популярного характера,
отрывков из произведений художественной литературы
2.3 Выборочное понимание необходимой/интересующей
информации из текста статьи, проспекта
2.4 Понимание структурно-смысловых связей текста
В соответствии с Переченем требований к уровню подготовки выпускников, достижение которых проверяется на едином государственном экзамене по английскому языку,
Знания, умения и навыки, проверяемые на ЕГЭ в разделе "Чтение"
ЗНАТЬ/ПОНИМАТЬ:
1.1 языковой лексический материал:1.1.1 значения лексических единиц, связанных с изученной
тематикой и соответствующими ситуациями общения (см.
подраздел «Предметное содержание речи» в разделе 1
кодификатора);
1.1.2 значения оценочной лексики;
1.1.3 П значения идиоматической лексики в рамках изученных тем;
1.1.4 значения реплик-клише речевого этикета, отражающих
особенности культуры страны/стран изучаемого языка;
1.2 языковой грамматический материал:
1.2.1 значение изученных грамматических явлений (см. подраздел
«Грамматическая сторона речи» в разделе 1 кодификатора);
1.2.2 значение видо-временных форм глагола;
1.2.3 значение неличных и неопределенно-личных форм глагола;
1.2.4 значение глагольных форм условного наклонения;
1.2.5 значение косвенной речи/косвенного вопроса;
1.2.6 значение согласования времен;
1.2.7 П средства и способы выражения модальности;
1.2.8 П средства и способы выражения условия;
1.2.9 П средства и способы выражения предположения;
1.2.10 П средства и способы выражения причины;
1.2.11 П средства и способы выражения следствия;
1.2.12 П средства и способы выражения побуждения к действию;
1.3 страноведческую информацию из аутентичных
источников, сведения о стране/странах изучаемого
языка:
1.3.1 сведения о культуре и науке;
1.3.2 сведения об исторических и современных реалиях;
1.3.3 сведения об общественных деятелях;
1.3.4 сведения о месте в мировом сообществе и мировой культуре;
1.3.5 сведения о взаимоотношениях с нашей страной;
1.4 языковые средства и правила речевого и неречевого
поведения в соответствии со сферой общения и
социальным статусом партнера.
УМЕТЬ:
2.3.1 Читать аутентичные тексты различных стилей
(публицистические, художественные, научно-популярные,
прагматические) с использованием различных
стратегий/видов чтения в соответствии с коммуникативной
задачей
2.3.2 Использовать ознакомительное чтение в целях понимания
основного содержания сообщений, интервью, репортажей,
публикаций научно-познавательного характера, отрывков из
произведений художественной литературы
2.3.3 Использовать просмотровое/поисковое чтение в целях
извлечения необходимой/запрашиваемой информации из
текста статьи, проспекта
2.3.4 Использовать изучающее чтение в целях полного понимания
информации прагматических текстов, публикаций научно-
познавательного характера, отрывков из произведений
художественной литературы
2.3.5 Отделять главную информацию от второстепенной,
выявлять наиболее значимые факты
2.3.6 Определять свое отношение к прочитанному
2.3.7 Определять временную и причинно-следственную
взаимосвязь событий, прогнозировать развитие/результат
излагаемых фактов/событий, обобщать описываемые
факты/явления
2.3.8 Определять замысел автора; оценивать важность/новизну
информации; понимать смысл текста и его проблематику,
используя элементы анализа текста
прагматические) с использованием различных
стратегий/видов чтения в соответствии с коммуникативной
задачей
2.3.2 Использовать ознакомительное чтение в целях понимания
основного содержания сообщений, интервью, репортажей,
публикаций научно-познавательного характера, отрывков из
произведений художественной литературы
2.3.3 Использовать просмотровое/поисковое чтение в целях
извлечения необходимой/запрашиваемой информации из
текста статьи, проспекта
2.3.4 Использовать изучающее чтение в целях полного понимания
информации прагматических текстов, публикаций научно-
познавательного характера, отрывков из произведений
художественной литературы
2.3.5 Отделять главную информацию от второстепенной,
выявлять наиболее значимые факты
2.3.6 Определять свое отношение к прочитанному
2.3.7 Определять временную и причинно-следственную
взаимосвязь событий, прогнозировать развитие/результат
излагаемых фактов/событий, обобщать описываемые
факты/явления
2.3.8 Определять замысел автора; оценивать важность/новизну
информации; понимать смысл текста и его проблематику,
используя элементы анализа текста
2.6 Компенсаторные умения
2.6.1 Пользоваться языковой и контекстуальной догадкой при
чтении и аудировании2.6.2 Прогнозировать содержание текста по заголовку/началу
текста, использовать текстовые опоры различного рода
(подзаголовки, таблицы, графики, шрифтовые выделения,
комментарии, сноски)
2.6.3 Игнорировать лексические и смысловые трудности, не
влияющие на понимание основного содержания текста
Пример заданий, составляющих раздел "Чтение" в ЕГЭ по английскому языку
18F741
25C7D6
Пример заданий, составляющих раздел "Чтение" в TOEFL
Read the text and answer all the questions.
Robert Capa
1. Robert Capa is a name that has for many years been synonymous with war photography.
2. Born in Hungary in 1913 as Friedmann Endre Ernő, Capa was forced to leave his native country after his involvement in anti government protests. Capa had originally wanted to become a writer, but after his arrival in Berlin had first found work as a photographer. He later left Germany and moved to France due to the rise in Nazism. He tried to find work as a freelance journalist and it was here that he changed his name to Robert Capa, mainly because he thought it would sound more American.
3. In 1936, after the breakout of the Spanish Civil war, Capa went to Spain and it was here over the next three years that he built his reputation as a war photographer. It was here too in 1936 that he took one of his most famous pictures, The Death of a Loyalist Soldier. One of Capa’s most famous quotes was 'If your pictures aren't good enough, you're not close enough.' And he took his attitude of getting close to the action to an extreme. His photograph, The Death of a Loyalist Soldier is a prime example of this as Capa captures the very moment the soldier falls. However, many have questioned the authenticity of this photograph, claiming that it was staged.
4. When World war II broke out, Capa was in New York, but he was soon back in Europe covering the war for Life magazine. Some of his most famous work was created on 6th June 1944 when he swam ashore with the first assault on Omaha Beach in the D-Day invasion of Normandy. Capa, armed only with two cameras, took more than one hundred photographs in the first hour of the landing, but a mistake in the darkroom during the drying of the film destroyed all but eight frames. It was the images from these frames however that inspired the visual style of Steven Spielberg's Oscar winning movie ‘Saving Private Ryan’. When Life magazine published the photographs, they claimed that they were slightly out of focus, and Capa later used this as the title of his autobiographical account of the war.
5. Capa’s private life was no less dramatic. He was friend to many of Hollywood’s directors, actors and actresses. In 1943 he fell in love with the wife of actor John Austin. His affair with her lasted until the end of the war and became the subject of his war memoirs. He was at one time lover to actress Ingrid Bergman. Their relationship finally ended in 1946 when he refused to settle in Hollywood and went off to Turkey.
6. In 1947 Capa was among a group of photojournalists who founded Magnum Photos. This was a co-operative organisation set up to support photographers and help them to retain ownership of the copyright to their work.
7. Capa went on to document many other wars. He never attempted to glamorise war though, but to record the horror. He once said, "The desire of any war photographer is to be put out of business."
8. Capa died as he had lived. After promising not to photograph any more wars, he accepted an assignment to go to Indochina to cover the first Indochina war. On May 25th 1954 Capa was accompanying a French regiment when he left his jeep to take some photographs of the advance and stepped on a land mine. He was taken to a nearby hospital, still clutching his camera, but was pronounced dead on arrival. He left behind him a testament to the horrors of war and a standard for photojournalism that few others have been able to reach.
9. Capa’s legacy has lived on though and in 1966 his brother Cornell founded the International Fund for Concerned Photography in his honor. There is also a Robert Capa Gold Medal, which is given to the photographer who publishes the best photographic reporting from abroad with evidence of exceptional courage. But perhaps his greatest legacy of all are the haunting images of the human struggles that he captured.
1 Why did Capa change his name?
To hide his identity
Because he had been involved in protests
To sound more American
Because he had to leave Hungary
2 Capa originally wanted to be
A photojournalist
A writer
American
A protestor
3 Capa went to Spain to
fight in the civil war.
build his reputation.
have a holiday.
take photographs.
4 Capa’s famous picture Death of a Loyalist Soldier
was taken by someone else.
was definitely genuine.
wasn’t even taken in Spain.
cannot be proven genuine or staged.
5 When World War II broke out Capa
went to New York.
swam ashore on Omaha Beach.
went to Europe.
went to Normandy.
6 A mistake meant that
only one hundred of Capa’s photographs were published.
Capa lost both of his two cameras.
Capa’s images inspired an Oscar winning movie.
Most of Capa’s images of the D-Day landing were destroyed.
7 Capa’s private life was
less dramatic than his professional life.
spent mostly in Hollywood.
very glamorous.
spent in Turkey.
8 Capa wanted his work to
be very famous.
show how glamorous war can be.
show the true horror of war.
make lots of money.
9 Which sentence best paraphrases paragraph 5?
Capa had a tragic private life and was never able to settle down and find happiness.
Despite having many good friends and lovers, Capa always put his work first.
Capa wanted to make friends with important people in Hollywood so that he could move into the movie industry.
Capa’s private life was very complicated. He could not choose between the two women he loved, so he went off to work in Turkey.
10 Which sentence best paraphrases paragraph 4?
Capa never tried to avoid danger. He risked his life to take photographs of the D-Day invasion, but then destroyed most of them.
Capa took some of his most famous photographs during the D-Day invasion, but most were tragically destroyed in an accident.
Capa only kept the best eight D-Day photographs as the others were out of focus. These inspired the visual style of a Hollywood film.
Capa left Europe when the war broke out and went to take his most famous photographs of the D-Day invasion.
|
|
Read the text and answer all the questions.
Robert Capa
1. Robert Capa is a name that has for many years been synonymous with war photography.
2. Born in Hungary in 1913 as Friedmann Endre Ernő, Capa was forced to leave his native country after his involvement in anti government protests. Capa had originally wanted to become a writer, but after his arrival in Berlin had first found work as a photographer. He later left Germany and moved to France due to the rise in Nazism. He tried to find work as a freelance journalist and it was here that he changed his name to Robert Capa, mainly because he thought it would sound more American.
3. In 1936, after the breakout of the Spanish Civil war, Capa went to Spain and it was here over the next three years that he built his reputation as a war photographer. It was here too in 1936 that he took one of his most famous pictures, The Death of a Loyalist Soldier. One of Capa’s most famous quotes was 'If your pictures aren't good enough, you're not close enough.' And he took his attitude of getting close to the action to an extreme. His photograph, The Death of a Loyalist Soldier is a prime example of this as Capa captures the very moment the soldier falls. However, many have questioned the authenticity of this photograph, claiming that it was staged.
4. When World war II broke out, Capa was in New York, but he was soon back in Europe covering the war for Life magazine. Some of his most famous work was created on 6th June 1944 when he swam ashore with the first assault on Omaha Beach in the D-Day invasion of Normandy. Capa, armed only with two cameras, took more than one hundred photographs in the first hour of the landing, but a mistake in the darkroom during the drying of the film destroyed all but eight frames. It was the images from these frames however that inspired the visual style of Steven Spielberg's Oscar winning movie ‘Saving Private Ryan’. When Life magazine published the photographs, they claimed that they were slightly out of focus, and Capa later used this as the title of his autobiographical account of the war.
5. Capa’s private life was no less dramatic. He was friend to many of Hollywood’s directors, actors and actresses. In 1943 he fell in love with the wife of actor John Austin. His affair with her lasted until the end of the war and became the subject of his war memoirs. He was at one time lover to actress Ingrid Bergman. Their relationship finally ended in 1946 when he refused to settle in Hollywood and went off to Turkey.
6. In 1947 Capa was among a group of photojournalists who founded Magnum Photos. This was a co-operative organisation set up to support photographers and help them to retain ownership of the copyright to their work.
7. Capa went on to document many other wars. He never attempted to glamorise war though, but to record the horror. He once said, "The desire of any war photographer is to be put out of business."
8. Capa died as he had lived. After promising not to photograph any more wars, he accepted an assignment to go to Indochina to cover the first Indochina war. On May 25th 1954 Capa was accompanying a French regiment when he left his jeep to take some photographs of the advance and stepped on a land mine. He was taken to a nearby hospital, still clutching his camera, but was pronounced dead on arrival. He left behind him a testament to the horrors of war and a standard for photojournalism that few others have been able to reach.
9. Capa’s legacy has lived on though and in 1966 his brother Cornell founded the International Fund for Concerned Photography in his honor. There is also a Robert Capa Gold Medal, which is given to the photographer who publishes the best photographic reporting from abroad with evidence of exceptional courage. But perhaps his greatest legacy of all are the haunting images of the human struggles that he captured.
2. Born in Hungary in 1913 as Friedmann Endre Ernő, Capa was forced to leave his native country after his involvement in anti government protests. Capa had originally wanted to become a writer, but after his arrival in Berlin had first found work as a photographer. He later left Germany and moved to France due to the rise in Nazism. He tried to find work as a freelance journalist and it was here that he changed his name to Robert Capa, mainly because he thought it would sound more American.
3. In 1936, after the breakout of the Spanish Civil war, Capa went to Spain and it was here over the next three years that he built his reputation as a war photographer. It was here too in 1936 that he took one of his most famous pictures, The Death of a Loyalist Soldier. One of Capa’s most famous quotes was 'If your pictures aren't good enough, you're not close enough.' And he took his attitude of getting close to the action to an extreme. His photograph, The Death of a Loyalist Soldier is a prime example of this as Capa captures the very moment the soldier falls. However, many have questioned the authenticity of this photograph, claiming that it was staged.
4. When World war II broke out, Capa was in New York, but he was soon back in Europe covering the war for Life magazine. Some of his most famous work was created on 6th June 1944 when he swam ashore with the first assault on Omaha Beach in the D-Day invasion of Normandy. Capa, armed only with two cameras, took more than one hundred photographs in the first hour of the landing, but a mistake in the darkroom during the drying of the film destroyed all but eight frames. It was the images from these frames however that inspired the visual style of Steven Spielberg's Oscar winning movie ‘Saving Private Ryan’. When Life magazine published the photographs, they claimed that they were slightly out of focus, and Capa later used this as the title of his autobiographical account of the war.
5. Capa’s private life was no less dramatic. He was friend to many of Hollywood’s directors, actors and actresses. In 1943 he fell in love with the wife of actor John Austin. His affair with her lasted until the end of the war and became the subject of his war memoirs. He was at one time lover to actress Ingrid Bergman. Their relationship finally ended in 1946 when he refused to settle in Hollywood and went off to Turkey.
6. In 1947 Capa was among a group of photojournalists who founded Magnum Photos. This was a co-operative organisation set up to support photographers and help them to retain ownership of the copyright to their work.
7. Capa went on to document many other wars. He never attempted to glamorise war though, but to record the horror. He once said, "The desire of any war photographer is to be put out of business."
8. Capa died as he had lived. After promising not to photograph any more wars, he accepted an assignment to go to Indochina to cover the first Indochina war. On May 25th 1954 Capa was accompanying a French regiment when he left his jeep to take some photographs of the advance and stepped on a land mine. He was taken to a nearby hospital, still clutching his camera, but was pronounced dead on arrival. He left behind him a testament to the horrors of war and a standard for photojournalism that few others have been able to reach.
9. Capa’s legacy has lived on though and in 1966 his brother Cornell founded the International Fund for Concerned Photography in his honor. There is also a Robert Capa Gold Medal, which is given to the photographer who publishes the best photographic reporting from abroad with evidence of exceptional courage. But perhaps his greatest legacy of all are the haunting images of the human struggles that he captured.
1 Why did Capa change his name?
To hide his identity
Because he had been involved in protests
To sound more American
Because he had to leave Hungary
2 Capa originally wanted to be
Because he had been involved in protests
To sound more American
Because he had to leave Hungary
2 Capa originally wanted to be
A photojournalist
A writer
American
A protestor
3 Capa went to Spain to
A writer
American
A protestor
3 Capa went to Spain to
fight in the civil war.
build his reputation.
have a holiday.
take photographs.
4 Capa’s famous picture Death of a Loyalist Soldier
build his reputation.
have a holiday.
take photographs.
4 Capa’s famous picture Death of a Loyalist Soldier
was taken by someone else.
was definitely genuine.
wasn’t even taken in Spain.
cannot be proven genuine or staged.
5 When World War II broke out Capa
was definitely genuine.
wasn’t even taken in Spain.
cannot be proven genuine or staged.
5 When World War II broke out Capa
went to New York.
swam ashore on Omaha Beach.
went to Europe.
went to Normandy.
6 A mistake meant that
swam ashore on Omaha Beach.
went to Europe.
went to Normandy.
6 A mistake meant that
only one hundred of Capa’s photographs were published.
Capa lost both of his two cameras.
Capa’s images inspired an Oscar winning movie.
Most of Capa’s images of the D-Day landing were destroyed.
7 Capa’s private life was
Capa lost both of his two cameras.
Capa’s images inspired an Oscar winning movie.
Most of Capa’s images of the D-Day landing were destroyed.
7 Capa’s private life was
less dramatic than his professional life.
spent mostly in Hollywood.
very glamorous.
spent in Turkey.
8 Capa wanted his work to
spent mostly in Hollywood.
very glamorous.
spent in Turkey.
8 Capa wanted his work to
be very famous.
show how glamorous war can be.
show the true horror of war.
make lots of money.
9 Which sentence best paraphrases paragraph 5?
show how glamorous war can be.
show the true horror of war.
make lots of money.
9 Which sentence best paraphrases paragraph 5?
Capa had a tragic private life and was never able to settle down and find happiness.
Despite having many good friends and lovers, Capa always put his work first.
Capa wanted to make friends with important people in Hollywood so that he could move into the movie industry.
Capa’s private life was very complicated. He could not choose between the two women he loved, so he went off to work in Turkey.
10 Which sentence best paraphrases paragraph 4?
Despite having many good friends and lovers, Capa always put his work first.
Capa wanted to make friends with important people in Hollywood so that he could move into the movie industry.
Capa’s private life was very complicated. He could not choose between the two women he loved, so he went off to work in Turkey.
10 Which sentence best paraphrases paragraph 4?
Capa never tried to avoid danger. He risked his life to take photographs of the D-Day invasion, but then destroyed most of them.
Capa took some of his most famous photographs during the D-Day invasion, but most were tragically destroyed in an accident.
Capa only kept the best eight D-Day photographs as the others were out of focus. These inspired the visual style of a Hollywood film.
Capa left Europe when the war broke out and went to take his most famous photographs of the D-Day invasion.
Capa took some of his most famous photographs during the D-Day invasion, but most were tragically destroyed in an accident.
Capa only kept the best eight D-Day photographs as the others were out of focus. These inspired the visual style of a Hollywood film.
Capa left Europe when the war broke out and went to take his most famous photographs of the D-Day invasion.
Комментариев нет:
Отправить комментарий